HORTENSE de BEAUHARNAIS

DAUGHTER OF AN EMPRESS
QUEEN OF HOLLAND
MOTHER OF AN EMPEROR

woensdag 21 oktober 2009

Arenenberg Castle

Hidden behind enormous trees, opposite the Isle of Reichenau, lies Arenenberg Castle, embedded in the beautiful surroundings of lake Constance.
Here, Hortense de Beauharnais, adoptive daughter and sister-in-law of napoleon I, found a place of refuge from 1817 on, in which her son Louis Napoléon, the future Emperor Napoleon III, grew up.
In 1906, his wife, Empress Eugénie donated Castle Arenenberg and its estate to the canton of Thurgovia.
The imperial court.
Far away from her home country, Hortense de Beauharnais knew how to revive the Parisian society at lake Constance. Maybe in somewhat smaller dimensions, but Arenenberg Castle was visited by the most important representatives of the world of music, literature, art and politics.
Today, the gates of the castle open to a step back in time to the beginning of the 19th century; the visitors can move around freely, sit down in the parlours, and leaf through the sketchbooks.

dinsdag 20 oktober 2009

Een portret wat niet opgehaald werd.


De lieftallige dame op dit portret is Hortense de Beauharnais. Haar vader, van oude adel, werd onthoofd tijdens de Franse Revolutie
Franse Revolutie
In Frankrijk vond aan het eind van de 18de eeuw een grote politieke en sociale omwenteling plaats: de zogeheten 'Franse Revolutie'. De revolutie begon in 1789, met de bestorming van de Bastille, een Parijse gevangenis. Geleid door de idealen van de Verlichting, greep de burgerij de macht en werd het koningshuis buitenspel gezet. De monarchie werd vervangen door een burgerlijke republiek met 'Vrijheid, Gelijkheid en Broederschap' ('Liberté, Egalité, Fraternité) als credo. De idealen van de Franse Revolutie hadden een enorme invloed op het sociale en politieke leven in veel Europese landen.. Haar moeder hertrouwde met keizer Napoleon. In 1802 werd Hortense, zij was toen 19, uitgehuwelijkt aan diens broer Lodewijk. Toen Lodewijk Napoleon in 1806 werd aangesteld als koning van Holland, werd Hortense Hollands eerste koningin. Toch was zij maar zelden in Nederland omdat het niet echt boterde in haar huwelijk. Dit portret is dan ook geschilderd in Parijs. Het was bedoeld voor het Amsterdamse Koninklijk Paleis op de Dam, waar Lodewijk was ingetrokken, maar de koning heeft het nooit afgenomen. Het doek bleef in het bezit van de kunstenaar en is pas onlangs uit diens nalatenschap geveild.

Koningin van Holland

Hortense Eugénie Cécile de Beauharnais (Parijs, 10 april 1783 — Slot Arenenberg in Thurgau, 5 oktober 1837) was Koningin van Holland en de moeder van Keizer Napoleon III. Ze was de dochter van Alexandre de Beauharnais en Joséphine Tascher de la Pagerie, die na de executie van haar echtgenoot hertrouwde met Napoleon Bonaparte.In 1802 werd zij uitgehuwelijkt aan Napoleons broer Lodewijk Napoleon en werd zo in 1806 Koningin van Holland. Het was een zeer ongelukkig huwelijk. In 1810 gingen de twee uit elkaar. Wel werden er drie zoons uit geboren, onder wie de latere Keizer Napoleon III (van wie echter ook wel wordt beweerd dat Carel Hendrik Verhuell de eigenlijke vader is). Met haar minnaar Charles Joseph de Flahaut kreeg ze nog een zoon, Charles Auguste Louis Joseph, die door zijn halfbroer Napoleon III in 1862 tot Hertog van Morny werd gemaakt.

Op 23 juni vond de officiële intocht van het Koninklijk paar in Den Haag plaats. Die morgen nam de Koningin van Holland zich voor zich volledig in te zetten om haar onderdanen te geven wat er van haar verwacht werd. Ze had de gracieuze beweging die haar moeder maakte als ze aan haar gasten werd voorgesteld vanzelf overgenomen; vriendelijk en belangstellend met juist voldoende afstand om haar vorstelijke waardigheid op te houden. Ze reden onder een gebeeldhouwd poortje door en stonden stil op het versierde Binnenhof, waar zich de middeleeuwse Ridderzaal verhief met twee bouwvallige torens en een gotisch roosvenster. Links ontwaarde ze de hofkapel waarin het gebeente van de oudste graven en gravinnen van Holland rustte. Aangestaard door het toegestroomde volk stapte Hortense uit haar koets. De wind rukte aan haar japon en ze liep zo snel de beleefdheid het toeliet over de rode loper naar de zuidelijke vleugel, die er nog nieuw uitzag. In de schaduw van de arcaden bevond zich de poort naar een duistere hal vanwaar een trap naar de eerste verdieping leidde. Daar betrad ze de zaal waarin ruim tien jaar geleden Prins Willem V van Oranje snikkend afscheid had genomen van zijn onderdanen. Kort daarna werd op dezelfde plaats de eerste Nationale Vergadering van de Bataafse Republiek geopend. Nu stond er een troon voor Koning Lodewijk Bonaparte van Holland opgesteld. Voor de koningin was er geen troon. De Koning vond dat niet wenselijk. Ze moest plaatsnemen op een tribune.

Lees verder
http://www.hethuisvanoranje.nl/05%20Napoleontische%20Heerses/HortensedeBeauharnais.html

Slot Arenenberg

Tussen 1817 en 1838 domicilie van de Franse keizer Napoleon II en zijn moeder Hortense. Schitterend museum met origineel interieur uit het eerste en tweede keizerrijk en wisselende tentoonstellingen. Om het slot strekt zich een uitgestrekt parklandschap uit met een mooi uitzicht over de Untersee. Het is mogelijk de tot het park behorende landbouwbedrijven te bezichtigen (wijnbouw, veeteelt, tuinbouw) en gastronomie

Op Slot Arenenberg lijken koningin Hortense en prins Louis voort te leven. De kamers zijn bespannen met gestreept tentdoek, die de herinnering aan het legerkamp van Napoleon warm houden. De eettafel met het serviesgoed dat voorzien is van de gekroonde H lijkt op de gasten te wachten. Hortenses harp en haar piano waarop ze haar beroemde romances componeerde, trillen na van haar aanraking. Bij verschillende Hörstatione kunnen de bezoekers luisteren naar citaten uit mémoires en brieven. Via een draaitrap bereiken ze de



slaapkamers op de bovenverdiepingen. Overal kijken portretten van de Bonapartes ons aan. De boeken, de publicaties en tekeningen van prins Louis geven een beeld van zijn veelzijdigheid. De stoel die zijn moeder voor hem borduurde bleef bewaard. Op de mansarde herinneren enkele voorwerpen aan het tragische einde van Hortenses kleinzoon, Le petit Prince.

maandag 19 oktober 2009

The Hortensia Diamond

The Hortensia Diamond
This peach colored stone was named after Hortense de Beauharnais, Queen of Holland, who was Josephine's daughter and the step-daughter of Napoleon Bonaparte. The Hortensia had been part of the French Crown Jewels since Louis XIV bought it. You can see the Hortensia on display in the Louvre, Paris.
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The Hortensia Diamond is a 20 carat pale orangish-pink diamond added to the Crown Jewels of France by King Louis XIV. It owes its name to Hortense de Beauharnais, Queen of Holland, undoubtedly because she wore it. Hortense was the daughter of Empress Josephine, the step-daughter of Napoleon Bonaparte and the mother of Napoleon III. The Hortensia was among the jewels stolen from the Royal Treasury in September of 1792. One year later, a man named Depeyron disclosed (just prior to his execution) that he had hidden a bag containing gold and diamonds in the attic of an old house in the Halles district. The Hortensia was thus recovered together with The Regent Diamond and a number of other jewels. In between, in 1830, the diamond was stolen again, on this occasion from the Ministry of the Navy, but was quickly recovered. When the French Crown Jewels were sold in 1887, the Hortensia was one of the items excluded from the sale, along with the Regent, because of their historic and artistic interest. They were put in the Louvre.

Rue de la Victoire

The House on the Rue de la Victoire

Once upon a time 200 years ago, Napoleon and Josephine lived in a house in Paris’ Rue de la Victoire. It was the only house Napoleon owned as a private citizen. As a landmark, it had a long and colorful history behind it. It was also the scene of several memorable events in the career of this fascinating couple, including one of the earliest encounters between General Bonaparte and Josephine de Beauharnais.

The House on the Rue de la Victoire

Napoleon first visited his future wife here at this location on October 15, 1795, according to historian Maurice Guerrini. Proctor Patterson Jones, the editor of Napoleon : An Intimate Account of the Years of Supremacy, wrote, he visited this house “presumably to congratulate the mother of a young man, Eugene de Beauharnais, who had come to Napoleon to request the sword of his father which had been confiscated during the Revolution.” Napoleon was obviously captivated by Eugene’s mother, and became a frequent visitor after that first visit. The house was then known as the Hotel de Beauharnais and it’s street address was No. 6, Rue Chantereine. Interestingly, the street got its name from the frogs that inhabited a marsh nearby. This house later became the scene of several memorable events such as the launching of Napoleon’s coup d’etat of the 18th Brumaire in November 9, 1799 and the marriage between his brother Louis and his step-daughter Hortense.

In describing what the inside of the house looked like, I will now describe the principal rooms which Napoleon and Josephine used. According to historian Maurice Guerrini, during Napoleon’s residency, the house consisted of a ground-floor and a first-floor. The ground floor contained an oval dining room which connected to a basement by way of a small stairway. The basement consisted of a cellar, a box-room and a kitchen. This floor also contained a small boudoir decorated with mosaics and a large drawing room lit by tall French-windows leading onto the garden. The drawing room also contained an elegant chimney-piece. Napoleon’s study, which contained a simple oak desk, was located at the far end of the house facing north On the first floor were Josephine’s bed and dressing-room, a small boudoir, and Napoleon’s bedroom. This bedroom was entered by a door carved with Egyptian motifs and was connected to Napoleon’s ground-floor study by a staircase. The first floor also contained a bathroom, located on the half-landing, and a second attic floor above. The rooms on both floors were hung with mirrors and tapestries. The rooms “were always filled with flowers, especially roses from the garden, tastefully arranged by Josephine’s gifted hands,” wrote Guerrini. Josephine’s garden, measured approximately four yards square and occupied the largest part of the site to which it lent a rural air, according to Guerrini.

The house was located in a fashionable and elegant part of Paris called the Chaussee D’Antin. According to Maurice Guerrini, writing in his book Napoleon and Paris, financiers and distinguished actors built charming little houses called “follies” in this area during the 18th Century. The house itself has a curious past behind it. It was built in 1776 by Perrard de Montreuil, the Comte de Provence’s architect, on marshy land bought from speculator, Bouret de Vezelay. An actress named Louise-Julie Carreau was its first tenant. In March 1780, she took a lease on the house and purchased it for 55,000 francs in December 1781. On August 17, 1795, Carreau leased the house to Josephine de Beauharnais who, in exchange, sold her small apartment at 371, Rue de l’Universite to the great tragic actor Francois Joseph Talma. As the second tenant at No. 6, Rue Chatereine, Josephine made several new improvements to her new home. She turned the terrace of the house into a veranda under a wooden tent which was hung with cotton draperies and decorated with painted or carved flags and pennants. Two months later, Napoleon visited Josephine at her home for the first time. He was impressed with the showy and theatrical decor in which she remodeled her home. In December 1795, she extended the lease to the house from three to nine years.

After his marriage to Josephine on March 9, 1796, Napoleon took up residence at No. 6, Rue Chantereine. A few days later, he left to take command of the Army of Italy. On December 28, 1797, as a tribute to Napoleon’s victory in Italy, the Central Administration of the Department of the Seine decided to give a new name to Rue Chantereine, the street where he lived. It was renamed the Rue de la Victoire. On March 26, 1798, Napoleon purchased the house on the Rue de la Victoire, also known as the Hotel Bonaparte, from the lessor for 52,400 livres. The lessor was none-other-than the actress Louise-Julie Carreau, the very first tenant of the property. Carreau was now married to the noted tragic actor and Napoleon’s friend, Talma. The house’s address was renumbered No. 60, Rue de la Victoire.

Now that the house belonged to Napoleon, it would be fitting to mention how long, he actually lived in the house. According to Guerrini, he lived here between December 5, 1797, the date of his return from Italy and May 3, 1798, the day he left for Egypt. After his return from Egypt on October 16,1799, he lived here for a time until November 14 of the same year when as First Consul he took up residence with Josephine at the Petit Luxembourg Palace. Toward the end of the Consulate, the property was remodeled and added to by buying up some surrounding real estate. In May, 1803, a parcel of land of some twenty square yards was purchased which represented the porter’s lodge the property of the Marquis de Saint-Chamans. In May 1804, the property’s garden was extended eastwards by parcels of land of a thousand square yards.

In July 1806, Napoleon gave his former home on the Rue de la Victoire as a dowry to his cousin Marie-Louise-Stephanie-Rolier Benielli. Benielli married Colonel Charles Lefebvre-Desnouettes, Napoleon‘s Master of the Horse. After the restoration of the Bourbon monarchy in 1815, Madame Lefebvre sold the house and was exiled with her husband to the United States. After returning from exile, Madame Lefebvre once again recovered the house on August 13, 1823 and kept the property for over thirty-five years. Guerrini wrpte that ”In 1830 and in 1837, she bought further parcels of land to enlarge her garden and to make an exit on the Rue Saint Lazare, where she bought a house and garden.” In 1857, a banker named Joseph Goubie acquired the property and paid over a half million francs to Madame Charles Lefebvre. This sale paved the way for the demolition of the house that served as the haven of Napoleon and Josephine. The house was demolished in 1858 as part of the town-planning and road-works program during the Second Empire of Napoleon III.

Dumas, the author of such classics as The Three Musketeers and The Count of Monte Cristo, vividly describes the house as it looked just a few days before the 18th Brumaire coup d’etat. The house is mentioned in a novel which opens with Napoleon’s return from Egypt and ends with the French victory at the Battle of Marengo. The following passage is taken from Dumas’ novel entitled The Company of Jehu:

“Let us jump the distance between Bourg and Paris, and the time which elapsed between the 16th of October and the 7th of November, that is to say, between the 24th Vendemiaire and the 16th Brumaire, and enter about four in the afternoon, the little house in the Rue de la Victoire, made historically famous by the conspiracy of the 18th Brumaire, which issued from it fully armed and equipped, “It is the same house which stands there today, on the right of the street and numbered 60, apparently astonished to present to the eye of the curious passer, after so many changes of government, the consular fasces which may still be seen on each panel of its double oaken door of the house. Let us follow the long and narrow alley of lindens which leads from the gate on the street to the door of the house, there let us enter the antechamber, take the passage to the left and ascend the twenty stairs which lead to a study hung with green paper, and furnished with curtains, chairs, and sofas of the same color. The walls are covered with maps and plans of cities. Bookcases of maple are on either side of the fireplace, which they enclose; the chairs and sofas, the tables and desks are heaped with books; there is scarcely room on the seats to sit down, or to write at the desks and tables. “
Although Napoleon lived in it for only a short time, the house on the Rue de la Victoire played an important role in the life of this great man and his first wife.

Bibliography
Dumas, Alexandre. The Company of Jehu New York : H.M. Caldwell Company;1894. page 213

Jones, Proctor Patterson. Napoleon : An Intimate Account of the Years of Supremacy (1800-1814) New York : Random House;1992.

Guerrini, Maurice. Napoleon and Paris: Thirty Years of History New York : Walker and Company; 1970.
Ik wil een weblog beginnen over Hortense de Beauharnais

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